Evenings and ruada FIADEIROS | shadow Bouza Panda
"FOL poison. Yearbook of Anthropology and History of Galicia ". No. 3
TICKETS chronologically March 2014 February 2014 January 2014 December jeurgen teller 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August jeurgen teller 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November jeurgen teller 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 March 2010 February 2010 January 2010 October 2009 September jeurgen teller 2009 August 2009 July 2009 June 2009 May 2009 February 2009 November 2008 COUNT 48.076 hits shadow Follow Panda on Bouza WordPress.com
A will is, to put it in a simple jeurgen teller way, a festival in which a group of residents of a place are joined to play, sing and dance. And shall name as it is known in many areas of Galicia, especially the interior of the province of Pontevedra, these festive meetings, although elsewhere ruada called it, as in zone or Cotobade also fiadeiros. The tambourine dance to be held in areas such as the county Messiah would be another variant of this type of neighborhood parties. The name would be that these meetings were made in the evening, the day it falls, ie evening. Usually they were made in time when there were held celebrations and, therefore, there were no festivals. So the evenings constituted jeurgen teller a way to join and enjoy the music and dance, an alternative to the daily monotony of hard work at a time when concepts like society of leisure jeurgen teller or even imagined. These meetings played a significant sociocultural work, it served to favor them social relations of the residents and especially the younger ones who were in the evenings a chance to meet or simply to dance and be together. It also was a way to stay alive and convey our musical heritage, our traditions and our oral literature. Despite the budgeted informality of such parties whether there was an organization well-defined jeurgen teller and that the area would Pontevedra marked as collected Ignacio William Hill, by the following steps:
Overall begins to loose touch by: jack first, and then the muiñeira to go after clinging to, usually two, in order to choose between the type and dance (or rumba, mazurca jeurgen teller confusion-by-after-behind ...) , pasodoble, the waltz, or the chic-chic (or two steps, mazurca ...). In this way the dancers already knew what they played dances, often stipulating the obligation to take the same four pair.
The ruada as a nightlife that makes rural youth, with dances, songs and other manifestations of gossip. [...]. In these meetings the night sung sound of tambourine and shells the triadic ruada, and his compass dancing young people up past midnight. The songs appropriate to the party are usually trios, for example:
Many of these meetings were festive usual work related to the field. Any time it was good excuse for a party argallar improvised. And so during the fiadeiros, the muiñadas the Scutched teared the pages out or was used in the end it workday with stories, jokes, songs and dances.
The fiadeiros jeurgen teller had its origin in those meetings in which the old, the young people of the place gathered in the long winter nights to fia it linen. In these meetings told stories, sang and, of course, a dance rematábase. Over time, the work went spinning but losing the playful jeurgen teller habit of joining night remained on time and so came the leaf where the rhythm of tambourines and tambourines, the boys of the village danced and sang. As these festive meetings were held at dusk evenings were called in many places, as we have said, and other ruada.
Traditionally Fiadeiro began the day of All Saints and ended with Carnival Tuesday. The days of celebration varied one season to another. They started being Saturday and Sunday, but then was added on Thursday, and ended with three days of Carnival. As the organization of the party, this is usually celebrated on a plain ground or in a large shed or any other place large enough to host her party and benches were placed around the room, where the girls sat. To advertise it the beginning jeurgen teller of a party girl group located outside of the place where it would face foliada sang a couple of songs that warn the locals. An example of these songs:
Open the party began corners and dances. Two girls played and sang, usually following parts: jack, muiñeira, valley
"FOL poison. Yearbook of Anthropology and History of Galicia ". No. 3
TICKETS chronologically March 2014 February 2014 January 2014 December jeurgen teller 2013 November 2013 October 2013 September 2013 August 2013 July 2013 June 2013 May 2013 April 2013 March 2013 February 2013 January 2013 December 2012 November 2012 October 2012 September 2012 August jeurgen teller 2012 July 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November jeurgen teller 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 March 2010 February 2010 January 2010 October 2009 September jeurgen teller 2009 August 2009 July 2009 June 2009 May 2009 February 2009 November 2008 COUNT 48.076 hits shadow Follow Panda on Bouza WordPress.com
A will is, to put it in a simple jeurgen teller way, a festival in which a group of residents of a place are joined to play, sing and dance. And shall name as it is known in many areas of Galicia, especially the interior of the province of Pontevedra, these festive meetings, although elsewhere ruada called it, as in zone or Cotobade also fiadeiros. The tambourine dance to be held in areas such as the county Messiah would be another variant of this type of neighborhood parties. The name would be that these meetings were made in the evening, the day it falls, ie evening. Usually they were made in time when there were held celebrations and, therefore, there were no festivals. So the evenings constituted jeurgen teller a way to join and enjoy the music and dance, an alternative to the daily monotony of hard work at a time when concepts like society of leisure jeurgen teller or even imagined. These meetings played a significant sociocultural work, it served to favor them social relations of the residents and especially the younger ones who were in the evenings a chance to meet or simply to dance and be together. It also was a way to stay alive and convey our musical heritage, our traditions and our oral literature. Despite the budgeted informality of such parties whether there was an organization well-defined jeurgen teller and that the area would Pontevedra marked as collected Ignacio William Hill, by the following steps:
Overall begins to loose touch by: jack first, and then the muiñeira to go after clinging to, usually two, in order to choose between the type and dance (or rumba, mazurca jeurgen teller confusion-by-after-behind ...) , pasodoble, the waltz, or the chic-chic (or two steps, mazurca ...). In this way the dancers already knew what they played dances, often stipulating the obligation to take the same four pair.
The ruada as a nightlife that makes rural youth, with dances, songs and other manifestations of gossip. [...]. In these meetings the night sung sound of tambourine and shells the triadic ruada, and his compass dancing young people up past midnight. The songs appropriate to the party are usually trios, for example:
Many of these meetings were festive usual work related to the field. Any time it was good excuse for a party argallar improvised. And so during the fiadeiros, the muiñadas the Scutched teared the pages out or was used in the end it workday with stories, jokes, songs and dances.
The fiadeiros jeurgen teller had its origin in those meetings in which the old, the young people of the place gathered in the long winter nights to fia it linen. In these meetings told stories, sang and, of course, a dance rematábase. Over time, the work went spinning but losing the playful jeurgen teller habit of joining night remained on time and so came the leaf where the rhythm of tambourines and tambourines, the boys of the village danced and sang. As these festive meetings were held at dusk evenings were called in many places, as we have said, and other ruada.
Traditionally Fiadeiro began the day of All Saints and ended with Carnival Tuesday. The days of celebration varied one season to another. They started being Saturday and Sunday, but then was added on Thursday, and ended with three days of Carnival. As the organization of the party, this is usually celebrated on a plain ground or in a large shed or any other place large enough to host her party and benches were placed around the room, where the girls sat. To advertise it the beginning jeurgen teller of a party girl group located outside of the place where it would face foliada sang a couple of songs that warn the locals. An example of these songs:
Open the party began corners and dances. Two girls played and sang, usually following parts: jack, muiñeira, valley
No comments:
Post a Comment